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In the postmodern era, it's easy to overlook the work of Mies van der Rohe. His walls of glass, rectangular forms, and open spaces look all too familiar. When we hear the name Mies van der Rohe, we don't instantly think of his architecture or his contribution to our landscape, but instead we think of an icon, a brand, or a chair at Design Within Reach. His ideals have become ingrained into our society and its visual vocabulary. "Less is more" is often said when referring to his work and this aesthetic has proliferated our landscape since the mid-20th century. Look at an iPhone or the Apple store itself to see how designers have reduced our objects to be only what is necessary. Or flip through the pages of Dwell to see how open floor plans, modern materials, and transparency are now commonplace in contemporary homes. Mies van der Rohe's philosophy of design surrounds us. So much so, that when you walk by one of his buildings in your travels, you might not even notice it. In order to avoid missing out, let me give you a crash course in who Mies van der Rohe was and some key elements to his buildings.